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Aleksandra Mielec i Michalina Kowalczyk
Florence Leontine Mary Welch was born on 28th August 1986 in London, the daughter of Evelyn, a history professor specializing in Renaissance studies and Nick, an advertising executive, the inventor of Aero chocolate tagline ‘Have you felt the bubbles melt?’. Florence’s uncle is Craig Brown, the satirist, and her paternal grandfather is Colin Welch, a former deputy editor of Daily Telegraph.
Florence was a shy child, with a porcelain face, brown hair and amazingly green eyes, always covered up with the fog of dreams and magic, which she nurtured in her soul. She read the Brothers Grimm and dressed up as a princess whom she dreamed of being. Florence and her younger sister, Grace, used to make dollhouses out of cereal-boxes and turn their room into Little House on The Prairie, fishing in a towel river. Florence danced in supermarkets, getting lost in narrow aisles, and scribbled lyrics on the covers of library books. As a child, she mixed up dreams with reality to such an extent that once she almost drowned in a pool when she had given rein to her imagination, as she thought she could breathe underwater. In her spare time, Florence tried to access her inner witch and make the boys from the other class love her. When Florence was 10, she dyed her hair juicy red – the colour that would soon become her trademark. She used to accompany her mother during the art history lectures, absorbing fascination with sex, death, love and violence – the main themes of Renaissance. Florence also used to watch musicals and sing. She would always sing. Sometimes her singing irritated her friends and strangers passing her in school hallways, but the sound was coming out straight from her soul. Music has always shaped Florence’s soul and has been a gate to a parallel world, the world Florence cannot describe herself since there are no words that could contain so many unnamed emotions. This is the world to which she fled when the monsters started creeping out from her bed.
From the very beginning, Florence’s life has been filled with suffering. When she was 10, she looked helplessly at her grandfather’s death, and when she was 14, her grandmother committed suicide. When Florence turned 13, she moved out with her mother, sister and a neighbour with his three children. Florence isolated herself from the world, crying on the floor in the corner of her room. Unable to cope with reality, at the age of 16, she tried ecstasy for the first time. She was diagnosed with psychosomatic disorders. In later years, she would drown her cares in alcohol – the world that would bring anxiety but also apparent freedom, and the world where she tried in vain to find solace. This is when music has become her escape from reality and helped to chase away the demons. Florence has been inspired by Celine Dion, Annie Lennox and Kate Bush, but also by Nirvana and Green Day. For a moment, she was a vocalist of two bands, Toxic Cockroaches and Ashok, but soon gave up as she was unable to melt into their music. For a long time, Florence had been seeking her own music path, and finally discovered its outline in a small, shabby studio with Isa ‘Machine’ Summers. She created first melodies on the piano, having no idea about how to play the instrument. She would bang on the drums chaotically, and if there were no drums – she would bang her hands on the walls. Florence would first invent the side vocals and only then would she seek her own voice in them. She would throw herself into clubs and pubs where she could feel free and wild, with the hangover being her greatest inspiration as it was the easiest way for her to expel all the grievances and nightmare monsters. She would invent the lyrics in a swirling haze of alcohol, slowly evaporating from her head. ‘Cosmic Love’ and ‘Shake it Out’ are the outcome of this state of being.
‘Stupid, irresponsible, and drunk’ – Florence uses these three words to describe the younger version of herself. Not without reason. Most of her first tour performances had ended up in the hotel pubs. Sometimes they began right there. Florence was sometimes drunk to such an extent that nobody could make out what she was singing; Florence herself admits that she simply cannot remember many of her concerts. Her performances on stage were often camouflaged by what was happening after them. During one of such parties, Florence had accidentally set fire to a hotel room, lost her phone, tore her dress and crumbled her tooth. ‘I thought this would be my last tour’, says Flo, ‘so I kept drinking’. Now she recalls with fondness the days when, together with her father and Isa Machine, she travelled in a little van. Still, she doesn’t want to go back in time.
Florence spent her 16th birthday jumping out of a tree topless in a local park; she was mesmerized by the feeling of hitting the ground, by the wind in her hair and having no sense of time. Whenever she could, Florence would browse around in second-hand shops where she spent her lunch money. She knew most of the boutiques in East London. As for education, first she attended Thomas’s London Day School, and then Alleyn’s School in South East London. She would often fall into trouble as couldn’t stop singing – anywhere, at any time. She was a student at Camberwell Art College where she got in due to a flower arrangement that spelled out ‘You’re a twat’. However, the college period lasted for only a year since school bored her – she preferred to slumber in her handmade hat or simply write new songs.
She has changed. Retro style clothing from the second-hand stores of East London has been replaced by chic costumes of Gucci and Alexander McQueen collections, and worn-out sneakers have been displaced by Prada high heels. Florence has attended the Oscar and Grammy ceremonies. Her extraordinary style has been enraptured by the world’s greatest fashion designers. High-street retailer Topshop made the first move and designed outfits for Florence for the Glastonbury Festival. Flo has even inspired Frida Gianniani in designing her new collection for Gucci. Moreover, she is the face of Gucci and Karl Lagerfeld’s inspiration. She delighted the audience of Chanel summer show by her presence and the performance of ‘What The Water Gave Me’. She also performed at Mulberry’s party where the models were covered in red wigs.
Fame hasn’t been all too easy for Florence: she recently admitted to battling with depression. She told “I’d gone from being this art student messing about with music to this girl with a record deal, magazine front covers and all this hype…I got through that depression, that heartbreak and so many other things with the album, which is why it’s so emotional. It’s possibly why so many people connect with it.”
Florence favours transparent clothes, old Hollywood-style maxi dresses, midi-length costumes, and the 40s’ style. She has been hailed as the vintage queen. When asked to point out the best style icons, she mentions the American drag queens from The Cockettes band, Francoise Hardy, a singer, and Stevie Nicks, an American vocalist, when she performed with Fleetwood Mac. She herself is always covered in angelic-like ethereal dresses and cape sleeves, of which she says: ‘I like the idea of taking off like a bird. It’s this romantic idea that the music could literally lift me off the stage.’
Despite the enormous success, which she had never dreamed of, Florence is still afraid of monsters, and of loneliness. And it is loneliness that accompanies her in the hotel rooms and in the dark corners of her world, as inseparable as a shadow – or rather its mutated version, not vanishing with the sunset. Sometimes, Florence gets lost even in the corners of her own soul. Still, her childlike joy of life and her inherent optimism do not let her inner demons control her. Florence herself displays a broad emotional palette: ‘I want to be alone and have someone by my side at the same time. I want to feel safe, but I also want to be free. My nature mixes bliss with discomfort, sadness with joy, and freedom with affection. My lifelong melancholy is constantly battling with my inborn optimism’. Florence is a bundle of emotions which she cannot fully express, nor find words for them. Neither is she able to cope with interpersonal relations, including man-woman relationship. She fears she may incidentally hurt the people who love her. A cry, which she accumulates inside, is released during concerts. This is how she deals with the emotions which she cannot express directly.
Source: http://www.divadevotee.com/2011/05/florence-welch-from-florence-and.html
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